![]() ![]() This is especially important since BlueCat allows writers to submit revised versions of their scripts within the same competition year. Typically, you’ll receive the critique within two months of your entry (a fairly quick turn-around when it comes to competition-related critiques). BlueCat Screenplay CompetitionīlueCat provides a critique to every entrant (also at no additional fee). So, not only will you find out exactly how your first-round judge scored your script, you’ll also find out why. This multi-page critique includes criteria-specific scores and corresponding evaluation. So, even though PAGE selects only one Grand Prize Winner (selected from any genre/format), the Gold, Silver, and Bronze awards ensure that the top-ranking scripts in each genre/format still receive recognition.Īlso worth noting: PAGE offers (for a fee) one of the most detailed forms of critiques written by your script’s competition judge. Whereas a competition like Nicholl judges all entries against each other, PAGE selects Gold, Silver, and Bronze winners in seven feature genre categories, two teleplay categories, and one short category. The PAGE International Screenwriting Awards Moreover, if you’ve written a novel or short story that has cinematic appeal, ScreenCraft even offers competitions for that. For example, ScreenCraft offers a competition specifically for animation screenplays, and a separate competition specifically for family screenplays. ScreenCraft also offers competitions for genres/categories that aren’t usually delineated in many other competitions’ entry categories. This means that, from first-round to final-round, your script is only competing against other scripts in your genre/format, and is only being evaluated by judges selected specifically for that genre/format. ScreenCraft is unique in that they offer separate competitions for separate genres/formats. to participate.īut here’s an extra bonus: there’s no fee to enter. You’ll have to be ready, willing, and able to commit to the Program since it lasts a year and you must live in L.A. And while staffing is not guaranteed, the Program also offers writers opportunities to participate in workshops, attend meetings and events, and make connections with executives, producers, and literary representatives. The primary goal of the Program is to get writers staffed on a Walt Disney Television series. For starters, writers in the Program actually become paid employees of Walt Disney Television. That said, it’s not tough to see that the Disney Program is unique in a myriad of ways. The Walt Disney Television Writing Programīecause I haven’t written a teleplay, this is the only competition of these six that I haven’t entered. And, since seeing your per-criteria scores from multiple individuals is one of the easiest ways to discover which elements of your script and writing excel (and which still need work), when you combine the scores with the written feedback, WeScreenplay entrants receive a lot of information in return for their entry fee - whether they win or not. These scores are broken down per judging criteria. Moreover, if you have a Coverfly account, WeScreenplay provides entrants with every score their scripts receive until the final round of judging. Even better? Entrants have the option to purchase feedback from every subsequent judge who reads their script. Entrants in each competition will receive (at no additional charge) at least one page of written feedback from their first-round judge. WeScreenplay currently offers four contests: Feature, Television Pilot, Shorts, and Diverse Voices. And, while the WeScreenplay contest wasn’t around when I started entering competitions (and after that I was working on my book), I find a lot about WeScreenplay that I like, especially for writers looking to get the most out of their entry. WeScreenplay Contestsįinding ways to benefit from screenwriting competitions (other than winning) is one of the main reasons I wrote my book Screenplay Competitions. So, while I can’t tell you which competitions are right for you and your script, I can look at some of the top competitions and point out a few key aspects that might help jumpstart and refine your own competition research. And writers have different objectives that they hope winning the competition will help them achieve (representation, mentorship, employment, or simply an idea of where their script ranks). ![]() Competitions look for different qualities in scripts and offer different types of awards and prizes. But with so many competitions in existence, trying to determine which competitions are worth your time and money to enter can be overwhelming to say the least (that’s why I wrote a whole book about it!).Įach competition is different, but so is each script and each writer. It’s no secret that the right screenwriting competition can help advance a writer’s career. ![]()
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